Heropanti song

 Heropanti 2 music review: AR Rahman, Mehboob, Ahmed Khan reunite, but not exactly for another Rangeela

Beginning with 'Dafa Kar,' the tune establishes the vibe and speed until the end of the collection while providing audience members with a sample of the flippant disposition that the lead heroes radiate in the film. Sung by Rahman and Hiral Viradia, the tune is trippy similarly that 'DK Bose' in Delhi Belly was. With the naughty weights on various syllables, 'Dafa Kar' sounds inquisitively near the English cuss when the interruption is between various letters. As Rahman goes Da-Fa-Kar again and again, you are left with the words in your mind long after the melody is finished. It is shameless, it is bold, and it is each piece the sort of demeanor you need from somebody with "heropanti" writ everywhere.

Viradia's voice is wonderful even without the layers of autotune Rahman has put her through. With a sublime scaffold of percussions, the melody has the sort of speed that is really illustrative of an Ahmed Khan film, where development through tricks and steps frames the spirit of narrating. It isn't the most ideal tune in the film, and the melody appears to be fairly average in the present time, however kid, do the words stay with you! Dafa kar, da-fa-kar…

'Jalwanuma' (sung by Pooja Tiwari and Javed Ali) is the main tune in the collection that genuinely addresses the traditions of Mehboob and AR Rahman. Despite the fact that it is a piece stereotypical in sound, song and Bollywood-ish tabla beat, it is in any case a lilting number soaks with sentiment, reproducing a sensation of heartfelt tension and division. There is a ton of dramatization happening in the tune, and the awesome drumming partially through makes it perky in certain parts until the shehnai kicks in and carries with it the despondency that has stewed behind the scenes up to this point. It seems like one is seeing with regret the wedding of a darling to someone else. Very Bollywood yet in addition extremely expressive.