Hey sinamika movie review

 

Movie review

For basically the primary portion of Hey Sinamika, Yaazhan (Dulquer Salmaan), its hero, seems to be the response to the loosu ponnu characters that populate our screens. He is a house spouse to Mouna (Aditi Rao Hydari), who works in the development business. He adores her 24x7. He is the sort of fellow who strolls in while she's showering to coercively feed her cake! Clearly, she feels choked by his 'affection'. She even gets an exchange to Pondicherry so she can have a bit of personal time, yet he arrives up there as well as he doesn't believe her should miss him.

Enter Dr Malarvizhi (a miscast Kajal Aggarwal), a relationship guide, who thinks all men are cheats, and has worked with the division of many couples. Mouna approaches her if all else fails. The thought is to get Malarvizhi to make Yaazhan become hopelessly enamored with her, so she can blame that so as to separate from him. Does her arrangement succeed?

Hello Sinamika works best when it's tomfoolery, foamy and pointless. The whole first half has the energy of a senseless parody and keeps us engaged. The scenes wherein Mouna and her partner Ram (RJ Vijay) plot to get Yaazhan to stop his constant gab are very amusing. Dulquer Salmaan comprehends that Yaazhan is a personification and plays him like an excessively energetic individual. He figures out how to find the right tone for this person, making him a loveable - as opposed to bothering - one. As the defenseless Mouna, Aditi Rao Hydari, as well, is powerful, and the scenes between these two entertainers have punch. We track down the fingerprints of Madhan Karky, the film's essayist, from the start - from Mouna's capability (paleotempestologist) to notices of kopi luwak espresso and genuine instances of couples who have separated after long term relationship. Brinda, who makes her introduction as a chief, as well, handles these segments with a light touch.

However, when the film turns genuine, the impact isn't too extraordinary. For, the change in tone - from windy to weighty - is jolting. Surrendered that the set is recognizable, we realize that Malarvizhi will succumb to Yaazhan's charms, however the scenes that follow this advancement seem to be excessively awkward, particularly in light of the fact that the film revels in the senselessness of the underlying scenes. We feel like we have ventured into an alternate film including similar characters. For somebody who is frantic to be away from her better half, Mouna's personality turns out to be in a flash envious on seeing Yaazhan and Malarvizhi together, which appears to be odd, given the lengths to which the film demonstrates how baffled she is with the person. These could not have possibly been issues assuming the change between the tones had been smooth, and in the event that we had been given a scene or two appearance how Mouna feels when Yaazhan at last isn't interfering into her own space. All things considered, the film decides to give us a tune, a superfluous expansion, included distinctly to set up its star!